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It's Not All Black And White

Black and white photos are unquestionably much more artistic, emotional, and timeless; its simplicity moving away the attention from the colour and enhancing the photo’s visceral aspects and design. They can be used in practically any shot from the laughter of a child, to a serene winter morn. Black and white photos are not, strictly speaking, black and white; they are photos subject to the grey scale a range of colours from the darkest black to the lightest light, and therefore everything in between. Hence, the common perception that black and white photos limit a photographer’s creativity by limiting the colour range is false; there is a wide array of grey to choose from, one of which would best suit the photographer’s needs. Looking at it, black and white photos require a surprising amount of skill and here are some tips on how to make it as perfect as possible.
It would seem ironic that to create a good monochromatic photo, one would have to take the photo itself in colour.

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However, such is the case as setting the camera in its black and white mode denies the photographer the freedom of choosing the perfect grey scale blend for the photo. Nonetheless, if your camera has a RAW format (which is only available in more upscale devices), the camera takes two photos – one in the original, coloured form and another in the automatic black and white format. This gives the photographer more creative liberty.
The double-edged sword of monochromatic photos is its lack of colour. It cannot grab the attention of a viewer from point to point with its vibrant colours. But because of this, a viewer can then focus on points of interest that is normally pushed aside in coloured pictures. Some examples are shadows, which emphasise structure and shape; textures, which enrich a photo; and patterns, where most of the eyes will be focusing on without any colour to distract.
There is always a right time for everything, even in photography. In days where the clouds block a lot of the sun, or a storm looms just above the horizon, these are days that are absolutely awful for coloured photographs but are inversely so for black and white photos. The low levels of natural light allow for a smoother contrast between shadow and subject, and if you feel that the photo needs more contrast, it can easily be added in post-production, and like the noise, is challenging when done the other way around.
Black and white photos have a way of bringing a more sensitive experience to a picture. Photographers must bear this in mind when picking the perfect subject, as viewers will be focused more on the graphic elements rather than the overall look, without the colours to shine through. The most common choice of subject is a single one; like a flower, a cloud, or a face. It allows the viewer to zoom in on a single object, which is made more intense by the grey colours. Another subject that is perfect for monochromatic photos are moving ones, which is much more difficult. However, dynamic objects allow for movement in a typically ‘dead’ black and white photo.